这几幅作品截取了孙悟空大闹天宫时的一个个英武瞬间，他凌厉的气势顺着金箍棒的顶端直冲南天门。我选择不直接画南天门，而是通过悟空的神情与姿态来间接表现，他背后若隐若现的四面旗帜更添几分磅礴气势。

戏曲艺术讲究留白、隐喻与象征，所以我在画中使用了大面积留白，来表现“言有尽而意无穷”的深远意境与氛围。

These works capture a series of heroic moments from Sun Wukong’s havoc in the Celestial Court. His piercing, formidable aura surges from the tip of the Golden Cudgel, striking directly toward the Southern Heavenly Gate (Nantianmen). Rather than depicting the gate itself, I chose to convey its presence indirectly through Wukong’s expression and posture. The four flags looming faintly behind him further amplify the sense of majestic, sweeping power.

The art of traditional opera places great value on Liubai (negative space), metaphor, and symbolism. Thus, I have employed expansive areas of 'void' within the paintings to evoke a profound atmosphere where 'the words may end, but the meaning remains infinite.'