传统戏曲中有一些非常鬼灵精怪的角色，很有意思。我很想在人物的面部上表现出这种 “灵怪“的感觉，可是尝试了几次都失败了，我一气之下彻底破坏了面部结构。因为这次意外的“破坏”，竟然收获了意想不到的艺术效果，让我找到了全新的艺术表达方式，于是顺势而为，最终成就了这幅作品。所谓先破后立，大抵就是如此吧。

Traditional opera features certain characters who are wonderfully eccentric and mischievous—they possess a peculiar, elusive charm. I was deeply moved to capture this sense of 'spectral quirkiness' in their facial expressions, yet several attempts ended in frustration. In a fit of vexation, I completely dismantled and disrupted the facial structure of the piece.

Surprisingly, this accidental 'destruction' yielded an unexpected artistic brilliance, leading me to a brand-new mode of expression. I followed this newfound momentum, and it ultimately gave birth to this finished work. Perhaps this is the true essence of the saying: 'To create, one must first destroy; to establish the new, one must first break the old'.